Courses in Music

The Kenyon College faculty voted to change from Kenyon units to semester hours. This change will go into effect for all students who start at the College in the fall of 2024. Both systems will be used throughout the course catalog with the Kenyon units being listed first.

This is an intensive course in the basic materials of music: pitch elements (scales, intervals, chords), time elements (meter, rhythm) and notation. Emphasis is on the development of basic techniques of music-making: sight-singing, ear-training and keyboard work. Suggested for first-year students or those new to the department. No prerequisite. Generally offered every semester.

Prerequisite This course is an introduction to the various styles and practices of music throughout the world. Central to the course will be Western art music from the middle-ages through the post-modern period, along with jazz and music from Asia and Africa. Guest lectures may be given by various members of the music department faculty. While the focus will be on understanding musical elements, emphasis will also be placed on the cultural forces— artistic, political, religious, philosophical, literary—that contributed to the development of the various styles and practices. This course fulfills the music history prerequisite for upper-level courses offered by the music department and is recommended for students who are considering the music major or minor. MUSC 102, 105, and 107 all serve as introductory courses in music history and satisfy the same prerequisites. Students may enroll in only one of these courses. This course complements the introductory music theory courses MUSC101 and MUSC 121Y-122Y. No prequisite.

This course is a writing-intentional survey of Western art music from the Middle Ages through the post-modern period that includes an introduction to music of non-Western cultures. It has been designed for first-year students who have some background in music theory and the ability to read a musical score. While the composers and their compositions are central to the course, social, artistic, political, religious, philosophical and literary forces that shaped each era also be explored. Readings from primary sources supplement the basic text, and students are introduced to the research methods used in the fields of historical musicology and ethnomusicology. This course fulfills the music history prerequisite for upper-level courses offered by the music department and is recommended for students who are considering the music major or minor. This counts as a prerequisite for upper-level courses offered by the music department. Suggested for first-year students or those new to the department. MUSC 102, 105 and 107 all serve as introductory courses in music history and satisfy the same prerequisites. Students may enroll in only one of these courses. This counts toward the history requirement for the major. Prerequisite: AP music theory score of 4 or 5 or music theory placement exam. Offered every year.

The performance of Western art music (aka classical music) is a multifaceted process. First and foremost, performance serves as a conduit between a composer and the listeners, a vehicle in which the notated composition is converted from the printed page into an aurally comprehensible format. The performing musicians function as a "middle man" between the composer and the audience, and this community of artists adds its own layer of creativity and expression through its interpretation of the composer's work. The musicians pool their finely-honed abilities into a unity of purpose: presenting their audience with a cogent statement of artistic expression. This course aims to provide an in-depth understanding of how the music comes together, from a number of different points of view: performing musician, composer and listener. While the bulk of the content focuses on Western art music, additional styles, including jazz and select non-Western musics, are also explored. Gaining a historical context of style is a priority, and secondary emphases include analytical listening and writing about music. This counts as a prerequisite for upper-level courses offered by the music department. Suggested for first-year students or those new to the department. MUSC 102, 105 and 107 all serve as introductory courses in music history and satisfy the same prerequisites. Students may enroll in only one of these courses. This counts toward the history requirement for the major. No prerequisite. Offered every year.

This course offers a basic investigation of traditional music theory. The first semester, MUSC 121Y, focuses on diatonic harmony. Emphasis is on writing skills and visual/aural analyses of musical scores. Also included is an in-depth study of the parameters of music and how they function within a composition. This course takes a holistic approach to style and compares elements of music with similar principles in the other arts. Student work includes short composition projects. This counts toward the theory requirement for the major. Students enrolled in this course are automatically added to MUSC 122Y for the spring semester. Prerequisite: MUSC 102, 105 or 107, which can be taken concurrently with this course, are recommended, but students can take only one of the introductory courses. MUSC 101 or placement by exam. Offered each fall.

This course covers extended chromatic harmony. Emphasis is on writing skills and visual/aural analyses of musical scores. Also included is an in-depth study of the parameters of music and how they function within a composition. This course takes a holistic approach to style and compares elements of music with similar principles in the other arts. Student work includes short composition projects. This counts toward the theory requirement for the major and minor. MUSC 102, 105 or 107, which can be taken concurrently with this course, are recommended, but students can take only one of the introductory courses. Prerequisite: MUSC 101 or placement. Offered each fall.

This course introduces students to the principles of computer music. Beginning with a historical overview and introductions to the physics of sound and digital audio, the course provides an understanding of basic acoustics; tuning; synthesis techniques; musique concrete; MIDI; and the composition, processing and recording of digital audio using Macintosh-based software programs. Students compose, edit and mix original work, as well as remix extant material, and learn how to discuss, critique and write about issues, techniques and approaches of importance to the field of computer music. This counts as an elective for the major. No prerequisite. Offered every year.

This course is a survey of Western music from antiquity through the turn of the 17th century. While the stylistic development of music is central to the course, other issues to be discussed include aesthetics, philosophies, performance practices and cultural/social/political influences that significantly affected music. Primary and secondary source readings augment the basic texts. This counts toward the history requirement or as an elective for the major. Prerequisite: MUSC 101 or placement by exam and MUSC 102, 105 or 107. Offered every other year.

This course is a survey of Western art music from the early 17th century through the era of Haydn and Mozart. While the stylistic development of art music is central to the course, questions of aesthetics, philosophy, religion, performance practice and politics are also explored. Primary and secondary source readings augment the basic texts. This counts toward the history requirement or as an elective for the major. Prerequisite: MUSC 101 or placement by exam and MUSC 102, 105 or 107. Offered every other year.

This course is a survey of Western music from Beethoven to the end of the 19th century. While the stylistic development of art music is central to the course, questions of aesthetics, philosophy, performance practice and politics are also explored. Primary and secondary source readings augment the basic text. This counts toward the history requirement or as an elective for the major. Prerequisite: MUSC 101 or placement by exam and MUSC 102, 105 or 107. Offered every other year.

This course is a survey of major trends of 20th-century Western art music, from Mahler's late Romanticism and Debussy's rejections of 19th-century practices to today's musical eclecticism. While the stylistic development of music is central to the course, other issues to be discussed include aesthetics, philosophy, performance practice and cultural/social/political influences that significantly affected music. Primary and secondary source readings augment the basic text. MUSC 121Y-122Y is recommended. This counts toward the history requirement or as an elective for the major. Prerequisite: MUSC 101 or placement by exam and MUSC 102, 105 or 107. Offered every other year.

This course is the same as ANTH 206D. It must be taken as MUSC 206D to count toward the fine art diversification. This course is an investigation of the issues, methods and history of the discipline of ethnomusicology. This course focuses on case studies drawn from different music genres and areas of the world that illustrate the complexities of considering music in its cultural contexts. Student work involves close listening, engagement with cultural theory and practical fieldwork exercises, and culminates in an individual field research project on a topic related to the course. This counts toward the ethnomusicology requirement for the music major. Prerequisite: MUSC 102, 105 or 107 or ANTH 113. Offered every three out of four years.

This course is a chronological survey of music associated with and developed within the African American community from the time people of African descent arrived on the shores of what would become the United States to the present. Emphasis is placed on understanding the genesis and stylistic elements of the various genres most particularly on comprehending their historical, cultural and political significance. Genres to be discussed include spirituals, ragtime, blues, jazz, gospel, rhythm and blues, soul, funk, disco and house, hip-hop and rap, and music in the Western European tradition. This counts towards an elective for the major. No prerequisite. Typically offered every other year.

This course is the same as DANC 214D and must be taken as MUSC 214D to count toward fine arts diversification. This course explores the historical intersections of music and dance in the collaborative creative process. Music and dance are inexorably linked. At times music composition and choreography happen simultaneously, as is the case with Aaron Copland and Martha Graham's "Appalachian Spring." At other times, the dance comes after the music has been composed. Learning about the vital intersections between music and dance provides students with a more deeply understood and nuanced approach to how the work of composers and choreographers intersects as they dialogue in works ranging historically from Lully and Petipa to Philip Glass and Mark Morris. This is an interdisciplinary class co-taught by a professor of dance and a professor of music. This counts toward the music major. No prerequisite. Offered spring semester every other year.

This course begins with a study of the compositional techniques and style of late Baroque contrapuntal forms and procedures, and continues with a study of small and large forms used in tonal music, including binary/ternary, strophic, through-composed, rondo, variations (continuous and sectional), sonata-allegro and sonata-rondo, and contemporary popular song forms. Concurrent to this study of musical forms is an investigation into the compositional applications of common-practice harmony and its extensions in contemporary popular genres. Students engage these topics through detailed study of existing pieces, the application of common analytical techniques, and composition. This counts as an elective for the major. Prerequisite: MUSC 102, 105 or 107 (may be taken concurrently) and 122Y. Offered every other year.

This course provides an intensive study of post-tonal compositional techniques and systems, emphasizing visual and aural analyses of musical scores and recordings, and featuring a wide range of musical forms and compositional techniques from the 20th and 21st centuries. Students engage with this music through detailed study of existing pieces, the application of relevant analytical techniques, and composition. Students learn how to transform their intuitions about post-tonal composition into organized arguments about it, and develop their analytical writing and presentational skills. This counts as an elective for the major. Prerequisite: MUSC 102, 105 or 107 (may be taken concurrently) and 122Y. Offered every other year.

This course is designed for students who have some familiarity with popular forms of music and computer technology. Students learn how to write songs in various forms through hands-on activities, analysis and listening assignments, and how to create and utilize powerful lyrics. Software programs such as Logic Pro and GarageBand are used to assist with songwriting work and production. Students are encouraged to explore their original ‘voices’ and approaches to the craft of songwriting and novel uses of technology. The ability to sing or play an instrument, although highly recommended, is not required. This counts as an elective for the major. Prerequisite: MUSC 101 or 124.

This course is the same as AMST 302D. It must be taken as MUSC 302D to count toward the fine arts diversification. The most fascinating thing about jazz is its vitality. Jazz remains today what it has been since its inception: an art form of intense personal expression in the context of collaborative improvisation. This course is a social and stylistic investigation of the history of jazz, from its African American origins up to the present. Progressing chronologically, students investigate through a variety of sources the main jazz styles and musicians and their development and influence upon the jazz scene. This counts as an elective for the major. Prerequisite: MUSC 101 or placement by exam. Offered every other year.

This course is a chronological exploration of the life and music of Johann Sebastian Bach. It draws upon the most recent scholarship and, to the extent possible, primary source documents. The student gains an understanding of the world in which Bach lived and a familiarity with the background, structure and significance of his most important works. This counts as an elective for the major. Prerequisite: MUSC 202, 203, 204, 205. Offered every two to three years.

This course is a chronological exploration of the life and music of Ludwig van Beethoven. Through the study of primary sources and recent scholarship, the student gains an understanding of Beethoven, the world in which he lived, and the background, structure and significance of his most important works. This counts as an elective for the major. Prerequisite: MUSC 202, 203, 204, 205. Offered every two or three years.

This course traces the development of opera from its origins in the 16th century through the important works of the 20th century. Students study representative operas from the various periods in Italy, France, Germany, Eastern Europe and America to understand the stylistic development of the genre and the musical, literary, philosophical, aesthetic and political forces that shaped it. This counts as an elective for the major. Prerequisite: MUSC 101 or placement by exam and MUSC 102, 105 or 107. Offered every two to three years.

This course is the same as ANTH 310D. It must be taken as MUSC 310D to count toward the fine arts diversification. Music is deeply embedded in many forms of individual and cultural identity. This upper-level seminar examines the relationship of music to notions of cultural rights and human rights. Using case studies from a variety of music cultures, we explore topics such as music censorship, music and warfare, music and disability, and music and AIDS awareness, among others. Engaging with literature from ethnomusicology, anthropology and other social sciences, we explore the following questions: What roles do music and related forms of expressive culture play in notions of human rights? Who owns music? Who has the right to transform music? What are the artistic, political and economic reasons for these transformations? What are their implications? What constitutes a cultural-rights violation? What role, if any, should regulatory agencies have with regard to monitoring cultural rights? This counts as an elective for the major. Prerequisite: ANTH 113 or MUSC 102, 105 or 107 and permission of instructor.

This course is the same as ANTH 312D. It must be taken as MUSC 312D to count towards the fine arts diversification. This seminar explores the relationship of music and film, with a focus on ethnographic film and ethnographic film-making. How does our understanding of music inform our experience of film? How, in turn, does our immersion in film and its conventions inform our understanding of different music? How are such conventions localized and expanded in different cultural settings? How does ethnographic film both react against, and make use of, other stylistic conventions of film-making in achieving its ends? Practical exercises in ethnographic film-making (and their analysis) during the semester lead toward ethnographic, historical or analytical projects. This counts as an elective for the major. Prerequisite: MUSC 102, 105 or 107 or ANTH 113.

In this course, students study the basics of jazz nomenclature, harmony and voice-leading and their application to writing arrangements for instrumental jazz combos of up to five horns and rhythm section or vocal jazz ensembles. Rhythmic, formal, textural and other parameters are studied as well, and comparisons are made to Western "classical" theoretical conventions to highlight similarities and differences between the two genres. Students learn to write idiomatically for common jazz instruments and study appropriate recorded examples. In addition, the course includes an ear-training component, and students frequently are expected to practice theoretical concepts on their instruments. This counts as an elective for the major. Prerequisite: MUSC 122Y. Offered every two to three years.

This course offers instruction in the craft of composition. Exploring a variety of approaches and aesthetics, students are encouraged to employ traditional formal structures, tonal and atonal materials, as well as recent techniques from the 20th and 21st centuries. Students' work is routinely presented and discussed during class time and presented in a final concert at the end of the semester. Attendance at concerts in metropolitan areas such as Columbus and Cleveland is required. This course may be repeated for credit one time. This counts as an elective for the major. Prerequisite: MUSC 102, 105 or 107 and 122Y. Offered every year.

This course is designed as a follow-up to the current introductory course in computer music. Students continue to develop fluency with the technological tools for composing and producing original, computer-assisted music. Students learn about algorithmic composition, advanced synthesis and processing techniques, and how to implement them, designing their own patches and applications using current software packages such as Max, ProTools and various open-source programs. This counts as an elective for the major. Prerequisite: MUSC 124. Offered every other year.

Properly defined, entrepreneurship lies at the heart of the liberal arts experience. Students in the liberal arts are ideally situated to apply their broad interdisciplinary knowledge and skill sets to find new solutions to unsolved problems. In the arts generally, and music specifically, entrepreneurial thinking means applying creative problem-solving to find ways to engage audiences and broaden appeal in a culture in which people’s access to and desire for music in their daily lives is at an all-time high. How do we as musicians bring those audiences in? This course is part of a broader effort (spearheaded by the GLCA's DePauw University) to transform the ways in which we prepare 21st-century musicians by cultivating the creative and imaginative powers that reside at the heart of the artist-entrepreneur. It is designed to equip the next generation of arts leaders to build a more promising future. Through lectures, readings, videos, class visits (in-person and virtual) from Kenyon alums and others who are finding success, and project creation and implementation, students identify and develop entrepreneurial and leadership skills vital to succeeding as music entrepreneurs, arts administrators and community catalysts in an increasingly complex creative ecology. The course is twofold, offering a foundational knowledge base in concepts and experiential learning through project design and implementation. This counts as an elective for the major. Permission of instructor required. No prerequisite. Sophomore standing. Offered every two to three years.

This course is designed primarily for music majors to prepare them for the specific problems and issues that confront the instrumental and/or choral conductor. The class focuses on developing conducting techniques of the individual student in laboratory situations and perhaps public performance. In addition, students read extensively in the philosophy of conducting and performance. One aim is to synthesize their knowledge of music history and music theory in the presentation of their ideas. This counts as an elective for the major. Permission of instructor required. Prerequisite: MUSC 202, 203, 204 or 205 and MUSC 121Y. Offered every other year.

Individual study is available to junior or senior music majors wishing to explore, with a music department faculty member, a topic not normally offered in the curriculum. The student proposes the topic to the faculty member, who then brings the proposal before the department for approval. The department discusses the feasibility of any proposal. Individual studies supplement the music curriculum and may not be used to satisfy major requirements. Individual studies earn either 0.25 or 0.5 units. After identifying a faculty member willing to oversee the individual study, the student should work with that professor to develop a short (one-page) proposal to be shared with the department for approval. The proposal should articulate the nature of the proposed study; present planned readings, assignments and other work; and describe how or what in the proposed study will be assessed at the end of the semester. Meeting schedules may vary, but at a minimum the department expects that students will meet once per week with the faculty member. Because students must enroll for individual studies by the end of the seventh class day of each semester, they should begin discussion of the proposed individual study by the semester before, so that there is time to devise the proposal and seek departmental approval.

Prerequisite: permission of department chair.

Ensembles

The Kenyon Community Choir is a large chorus designed to perform literature for chorus and orchestra (or piano accompaniment). Sacred and secular works from the Baroque period to the present are performed at concerts and college functions. Membership is open to students, faculty, staff and other community members. Those who formally enroll should expect to meet requirements beyond the regular weekly rehearsals. This is not a yearlong course, and registration is required each semester. A voice placement audition and permission of instructor are required. No prerequisite. Offered every year.

The Knox County Symphony is a community-based orchestra that performs three to four times per year, including one combined concert with the Kenyon choirs. Literature includes the standard symphonic and concerto repertoire. Enrollment is limited depending on the needs of the orchestra; therefore a competitive seating audition and permission of instructor are required. This is not a yearlong course, and registration is required each semester. Offered every year.

The Kenyon College Chamber Singers are a small choir devoted to the literature for chamber ensemble, both a cappella and accompanied. The class meets five hours per week, and members are required to make concerts and the spring tour a priority. This course may be repeated. This is not a yearlong course, and registration is required each semester. A voice placement audition and permission of instructor are required. No prerequisite. Offered every year.

This course is open to all qualified flutists upon audition. Special emphasis is placed on aspects of ensemble playing, intonation, phrasing and style. One performance is given each semester. This is not a yearlong course, and registration is required each semester. Permission of instructor required. No prerequisite.

This ensemble is open to students with sufficient ability to play chamber music for winds. One performance is given each semester. This is not a yearlong course, and registration is required each semester. Permission of instructor required. No prerequisite.

This ensemble is open to students with sufficient ability to play chamber music for strings. It is also open to keyboard players. One performance is given each semester. This is not a yearlong course, and registration is required each semester. Permission of instructor required. No prerequisite.

This ensemble is open to all qualified guitarists upon audition. The repertoire consists of selections encompassing a variety of styles and periods of music. One performance is given each semester. This is not a yearlong course, and registration is required each semester. Permission of instructor required. No prerequisite.

This ensemble, involving the standard concert band instrumentation (woodwinds, brass and percussion), rehearses and performs a variety of music from the wind ensemble repertoire, including works for smaller chamber-style ensembles. There is at least one performance per semester. This is not a yearlong course, and registration is required each semester. A section placement audition and permission of instructor required. No prerequisite.

This course offers study of improvisational techniques, jazz and jazz fusion from the early 1900s to the present. Application is toward individual style and ensemble performance. Work includes reading of lead sheets, transposition and playing by ear. One or two concerts per semester are given, with the strong possibility of other performance opportunities and possible inclusion of original works. This is not a yearlong course, and registration is required each semester. Permission of instructor required. No prerequisite.

The Early Music Ensemble performs music of the Middle Ages, Renaissance and Baroque using modern instruments as well as replicas of historical instruments. Performance practice issues are explored through an examination of surviving primary sources as well as a select number of high-quality secondary sources that focus on historical performance techniques. This is not a yearlong course, and registration is required each semester. Students must be able to read music fluently in order to enroll in this course. Permission of instructor required. No prerequisite.

The Percussion Ensemble provides an opportunity for students to perform in a variety of musical styles on traditional and contemporary percussion instruments. The ensemble presents a concert every semester. The ensemble is open to all Kenyon students and community members and may require an audition. This is not a yearlong course, and registration is required each semester. Permission of instructor required. No prerequisite.

This course covers preparation and study of representative scenes from the musical theater and opera repertoire. Special attention is given to diction and characterization. The course leads to an end-of-semester production. The course may be repeated for credit. This is not a yearlong course, and registration is required each semester. An audition and permission of instructor are required. No prerequisite.

This course is open to horn players qualified to perform chamber music. Auditions may be required. The class explores all periods of music with emphasis on style, technique and ensemble blending. An end-of-the-semester performance is expected. This is not a yearlong course, and registration is required each semester. Permission of instructor required. No prerequisite.

This course provides study of the music of the Sundanese gamelan degung, a traditional ensemble incorporating different types of tuned bronze percussion, drums, flutes and vocals. Students are introduced to basic and advanced instrumental techniques for several individual gamelan instruments and receive coaching in musicianship and ensemble skills. A variety of repertories is covered. Each semester culminates in one public performance. No musical experience is required. This course can be used to satisfy diversification requirements in anthropology as well as music. This is not a yearlong course, and registration is required each semester. Permission of instructor required. No prerequisite.

This ensemble is open to students with sufficient ability to play harp. This is not a yearlong course, and registration is required each semester. Permission of instructor required. No prerequisite.

The Saxophone Ensemble is open to all qualified students. There is one performance per semester. This is not a yearlong course, and registration is required each semester. Permission of instructor required. No prerequisite.

This course is open to brass players qualified to perform chamber music. An audition may be required. The class explores all periods of music with emphasis on style, technique and ensemble blending. An end-of-semester performance is required. Permission of instructor required.

This ensemble is for all levels of string musicians who are looking to play in a group that focuses on bluegrass and its various subgenres. The coordination of this ensemble provides a strong foundation of the various instrumental roles within the group. Rhythmic, melodic and improvisational techniques are addressed in order to provide a thorough understanding of the music. All written music will be given in the form of basic charts, tablature, and staff notation when needed.

Goals of the course: foster an environment for productive collaboration with other string musicians; prepare students for performance/recording opportunities within the genre; gain an intimate understanding of instrumental roles and techniques that carry the music forward. Grading is based on attendance, participation and overall willingness to collaborate and improve one’s own skills as well as the ensemble's as a whole. No prerequisite. Permission of instructor required.

Music Lessons

This course is an introduction to the technique and literature of the organ. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to the technique and literature of the harpsichord. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to basic piano technique: how to practice, sight-reading, relaxation and memorization. Works studied are representative of the Baroque, classical, Romantic and modern periods. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Placement interview and permission of applied music coordinator are required. No prerequisite.

This course is an introduction to basic jazz piano technique: how to practice, reading charts and basic improvisational techniques. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Placement interview and permission of applied music coordinator are required. No prerequisite.

This course is an introduction to harp technique and literature. Possible avenues of study include classical, folk and popular music, as well as improvisation. An instrument is available for instruction and practice time. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to fiddle technique and literature. Various folk styles and genres are studied. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course offers study of the technique and literature for the violin. Work is based on the needs of the individual student. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course offers study of the technique and literature for the viola. Work is based on the needs of the individual student. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course offers study of the technique and literature for the cello. Work is based on the needs of the individual student. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course offers study of the technique and literature for the string bass. Work is based on the needs of the individual student. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course offers study of the technique and literature for the jazz upright bass. Work is based on the needs of the individual student. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course offers study of the technique and literature for the bass guitar. Rock/folk, acoustic pop and jazz are possible avenues of study. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to guitar technique and literature. Rock/folk, acoustic pop and jazz are possible avenues of study. An acoustic, classical or electric guitar is acceptable for instruction. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Placement interview and permission of applied music coordinator are required. No prerequisite.

This course is an introduction to classical guitar technique and literature. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Placement interview and permission of applied music coordinator are required. No prerequisite.

This course offers study of the French horn. Work is based on the needs of the individual student. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course offers study of the trumpet. Work is based on the needs of the individual student. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course offers study of the baritone horn. Work is based on the needs of the individual student. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course offers study of the trombone. Work is based on the needs of the individual student. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course offers study of the tuba. Work is based on the needs of the individual student. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to basic flute technique. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to basic recorder technique. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to basic oboe technique. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to basic bassoon technique. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to basic clarinet technique. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to basic saxophone technique. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to basic percussion technique. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. No prerequisite.

This course is an introduction to basic vocal technique. Work is based on the needs of the student. The repertoire includes folk and popular tunes as well as classical selections. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Placement interview and permission of applied music coordinator are required. No prerequisite.

Work is based on the needs of the student. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 140.

The course covers representative works from all periods and emphasizes practice methods, sight-reading and memorization techniques, and expression and interpretation. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 142.

This course is a continuation of the study of jazz piano technique: reading charts and intermediate improvisational techniques. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 143.

This course is a continuation of the study of fiddle technique and literature. Various folk styles and genres are studied. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 145.

This course offers continued study of the technique and literature for the jazz upright bass. Work is based on the needs of the student. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 150.

This course offers continued study of the technique and literature for the bass guitar. Rock/folk, acoustic pop and jazz are possible avenues of study. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 151.

This course is a continuation of guitar technique and literature. Rock/folk, acoustic pop and jazz are possible avenues of study. An acoustic, classical or electric guitar is acceptable for instruction. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 152.

This course is a continuation of the study of classical guitar technique and literature. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 153.

This course offers continued study of the French horn. Work is based on the needs of the individual student. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 154.

This course offers continued study of the trumpet. Work is based on the needs of the student. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 155.

This course offers continued study of the baritone horn. Work is based on the needs of the student. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 156.

This course offers continued study of the trombone. Work is based on the needs of the student. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 157.

This course offers continued study of the tuba. Work is based on the needs of the student. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 158.

This course is a continuation of the study of flute technique. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 159.

This course considers representative sonatas and suites of the 17th and 18th centuries, as well as historical sources of recorder technique from the 16th to the middle of the 18th centuries. Simple figured bass is used. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 160.

This course is a continuation of the study of oboe technique. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 161.

This course is a continuation of the study of bassoon technique. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 162.

This course is a continuation of the study of clarinet technique. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 163.

This course is a continuation of the study of saxophone technique. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 164.

This course is a continuation of snare-drum technical studies with application to orchestral and concert band music, rudimentary solos, advanced drum-set styles for jazz-rock applications, and chart reading for big band and show drumming. Music majors: This course presents an introduction to keyboard percussion and timpani, as well as orchestral techniques for various trap percussion instruments. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 165.

This course offers a continuation of flexibility and range development and includes a required music jury performance. Problems of stage deportment and interpretation are considered. A scheduled music jury is required. A fee is charged. A maximum amount of 0.63 units of credit may be earned at this level. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 166.

Work is based on the needs of the student. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 240.

The course covers major works of the Baroque, classical, Romantic, impressionist and contemporary periods. A standard concerto may also be studied. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 242.

This course is a continuation of the study of jazz piano technique: reading charts and improvisational techniques. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 243.

This course is a continuation of the study of fiddle technique and literature. Various folk styles and genres are studied. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 245.

This course offers continued study of the technique and literature for the jazz upright bass. Work is based on the needs of the student. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 250.

This course offers continued study of the technique and literature for the bass guitar. Rock/folk, acoustic pop and jazz are possible avenues of study. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 251.

This course is a continuation of guitar technique and literature. Rock/folk, acoustic pop and jazz are possible avenues of study. An acoustic, classical or electric guitar is acceptable for instruction. Appearance in a scheduled music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 252.

This course is a continuation of the study of classical guitar technique and literature. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 253.

This course offers continued study of the French horn. Work is based on the needs of the individual student. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 254.

This course offers continued study of the trumpet. Work is based on the needs of the student. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 255.

This course offers continued study of the baritone horn. Work is based on the needs of the student. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 256.

This course offers continued study of the trombone. Work is based on the needs of the individual student. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 257.

This course offers continued study of the tuba. Work is based on the needs of the student. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 258.

This course is a continuation of the study of flute technique. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 259.

This course is a continuation of the study of oboe technique. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 261.

This course is a continuation of the study of bassoon technique. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 262.

This course is a continuation of the study of clarinet technique. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 263.

This course is a continuation of the study of saxophone technique. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 264.

This course offers study of contemporary literature for all percussion instruments, including mallet instruments, timpani, multiple percussion and drum set. Study includes orchestral repertoire for various percussion instruments and possible solo percussion recital. A music jury performance is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 265.

Work is based on the needs of the student. A music jury is required. Diction and interpretation are given special consideration. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 266.

Work is based on the needs of the student. Presentation of a recital or half-recital is encouraged. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 340.

This covers major works of the Baroque, classical, Romantic, impressionist and contemporary periods. A standard concerto may also be studied. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 342.

This course is a continuation of the study of fiddle technique and literature. Presentation of a recital or half recital is encouraged. Various folk styles and genres are studied. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 345.

Work is based on the needs of the individual student. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 347.

This course offers continued study of the technique and literature for the jazz upright bass. Work is based on the needs of the individual student. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 350.

This course is a continuation of guitar technique and literature. Rock/folk, acoustic pop and jazz are possible avenues of study. An acoustic, classical or electric guitar is acceptable for instruction. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 352.

This course offers continued study of the French horn. Work will be based on the needs of the individual student. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 254.

This course offers continued study of the trumpet. Work is based on the needs of the individual student. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 355.

This course is a continuation of the study of flute technique. Presentation of a recital or half-recital is encouraged. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 359.

Work is based on the needs of the individual student. Presentation of a recital or half-recital is encouraged. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 360.

This course is a continuation of the study of oboe technique. Presentation of a recital or half-recital is encouraged. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 361.

This course is a continuation of the study of bassoon technique. Presentation of a recital or half-recital is encouraged. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 362.

This course is a continuation of the study of clarinet technique. Presentation of a recital or half-recital is encouraged. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 363.

This course is a continuation of the study of saxophone technique. Presentation of a recital or half-recital is encouraged. A music jury is required. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 364.

This course offers study of contemporary literature for all percussion instruments, including mallet instruments, timpani, multiple percussion and drum set. Study includes orchestral repertoire for various percussion instruments. Presentation of a recital or half-recital is encouraged. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 365.

The year's work leads to a recital featuring representative styles. Diction and interpretation are given special consideration. Presentation of a recital or half-recital is encouraged. A fee is charged. Units earned at this level are unlimited. This is not a yearlong course, and registration is required each semester. Permission of applied music coordinator required. Prerequisite: MUSC 366.

Courses in Music

Ensembles

Music Lessons

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Basic Musicianship MUSC 101 Credits: 0.5/4

Introduction to Musical Style MUSC 102 Credits: 0.5/4

From Hildegard von Bingen to John Cage: Music, Composers and Their World MUSC 105 Credits: 0.5/4

Comprehending Music Performance MUSC 107 Credits: 0.5/4

Music Theory/Ear Training MUSC 121Y Credits: 0.5/4

Music Theory/Ear Training MUSC 122Y Credits: 0.5/4

Introduction to Computer Music MUSC 124 Credits: 0.5/4

Medieval and Renaissance MUSC 202 Credits: 0.5/4

Music History: Baroque and Classical MUSC 203 Credits: 0.5/4

Music History: 19th Century MUSC 204 Credits: 0.5/4

Music History: Music Since c.1900 MUSC 205 Credits: 0.5/4

Seminar in Ethnomusicology MUSC 206D Credits: 0.5/4

Music and the African American Experience MUSC 207 Credits: 0.5/4

Union of Music and Dance MUSC 214D Credits: 0.5/4

Musical Structure in Tonal Music MUSC 221 Credits: 0.5/4

Musical Structure in Post-Tonal Music MUSC 222 Credits: 0.5/4

Songwriting MUSC 224 Credits: 0.5/4

History of Jazz MUSC 302D Credits: 0.5/4

Music Between the World Wars:1914 to 1945 MUSC 303 Credits: 0.5/4

Music of the 1960s--c.1959 to c.1971 MUSC 304 Credits: 0.5/4

Music History: J.S. Bach MUSC 306 Credits: 0.5/4

Ludwig van Beethoven MUSC 307 Credits: 0.5/4

History of Opera MUSC 309 Credits: 0.5/4

Music, Human Rights and Cultural Rights MUSC 310D Credits: 0.5/4

Music, Film and Culture: Ethnographic Perspectives MUSC 312D Credits: 0.5/4

Jazz Theory and Arranging MUSC 321 Credits: 0.5/4

Composition MUSC 322 Credits: 0.5/4

Advanced Computer Music MUSC 324 Credits: 0.5/4

State of the Art: Music and Entrepreneurship in the 21st Century MUSC 325 Credits: 0.5/4

Conducting MUSC 331 Credits: 0.5/4

Individual Study MUSC 493 Credits: 0.25-0.5/2-4

Senior Honors Project MUSC 497Y Credits: 0.5/4

Senior Honors Project MUSC 498Y Credits: 0.5/4

Ensembles

Kenyon Community Choir MUSC 471 Credits: 0.25/2

Knox County Symphony MUSC 472 Credits: 0.25/2

Kenyon College Chamber Singers MUSC 473 Credits: 0.25/2

Flute Choir MUSC 475 Credits: 0.25/2

Woodwind Chamber Ensemble MUSC 476 Credits: 0.25/2

String Chamber Ensemble MUSC 477 Credits: 0.13-0.25/1-2

Guitar Ensemble MUSC 478 Credits: 0.13-0.25/1-2

Symphonic Wind Ensemble MUSC 479 Credits: 0.13-0.25/1-2

Instrumental Jazz Ensemble MUSC 480 Credits: 0.13-0.25/1-2

Early Music Ensemble MUSC 481 Credits: 0.13-0.25/1-2

Percussion Ensemble MUSC 482 Credits: 0.13-0.25/1-2

Opera and Musical Theater Workshop MUSC 483 Credits: 0.13-0.25/1-2

French Horn Ensemble MUSC 484 Credits: 0.13-0.25/1-2

Asian Music Ensemble MUSC 485 Credits: 0.25/2

Harp Ensemble MUSC 486 Credits: 0.13-0.25/1-2

Saxophone Ensemble MUSC 487 Credits: 0.13-0.25/1-2

Brass Ensemble MUSC 488 Credits: 0.13-0.25/1-2

Bluegrass Ensemble MUSC 489 Credits: 0.13-0.25/1-2

Music Lessons

Level-I Organ MUSC 140 Credits: 0.13-0.25/1-2

Level-I Harpsichord MUSC 141 Credits: 0.13-0.25/1-2

Level-I Piano MUSC 142 Credits: 0.13-0.25/1-2

Level-I Jazz Piano MUSC 143 Credits: 0.13-0.25/1-2

Level-I Harp MUSC 144 Credits: 0.13-0.25/1-2

Level-I Fiddle MUSC 145 Credits: 0.13-0.25/1-2

Level-I Violin MUSC 146 Credits: 0.13-0.25/1-2

Level-I Viola MUSC 147 Credits: 0.13-0.25/1-2

Level-I Cello MUSC 148 Credits: 0.13-0.25/1-2

Level-I String Bass MUSC 149 Credits: 0.13-0.25/1-2

Level-I Jazz Upright Bass MUSC 150 Credits: 0.13-0.25/1-2

Level-I Bass Guitar MUSC 151 Credits: 0.13-0.25/1-2

Level-I Guitar MUSC 152 Credits: 0.13-0.25/1-2

Level-I Classical Guitar MUSC 153 Credits: 0.13-0.25/1-2

Level-I French Horn MUSC 154 Credits: 0.13-0.25/1-2

Level-I Trumpet MUSC 155 Credits: 0.13-0.25/1-2

Level-I Baritone Horn MUSC 156 Credits: 0.13-0.25/1-2

Level-I Trombone MUSC 157 Credits: 0.13-0.25/1-2

Level-I Tuba MUSC 158 Credits: 0.13-0.25/1-2

Level-I Flute MUSC 159 Credits: 0.13-0.25/1-2

Level-I Recorder MUSC 160 Credits: 0.13-0.25/1-2

Level-I Oboe MUSC 161 Credits: 0.13-0.25/1-2

Level-I Bassoon MUSC 162 Credits: 0.13-0.25/1-2

Level-I Clarinet MUSC 163 Credits: 0.13-0.25/1-2

Level-I Saxophone MUSC 164 Credits: 0.13-0.25/1-2

Level-I Percussion MUSC 165 Credits: 0.13-0.25/1-2

Level-I Voice MUSC 166 Credits: 0.13-0.25/1-2