This course will introduce students to the interdisciplinary field of women's and gender studies, out of which some of the most innovative and challenging developments in recent scholarship are arising. It will provide students with critical frameworks for thinking about the social construction of gender at the personal and institutional levels. Emphasis will be placed on diverse women's significant contributions to knowledge and culture; to other areas of gender studies, including men's studies, family studies, and the study of sexuality; and to the intersections of various forms of oppression both within and outside of the U.S. The course will include both scholarly as well as personal texts, visual as well as written text. Offered every semester.
This course is designed to help students develop a critical framework for thinking and writing about issues related to sexual orientation. The course will take a broad view, examining sexuality from legal, psychological, biological, cultural, ethical, philosophical, and phenomenological frameworks. We will look at the emerging fields of the history of sexuality and queer theory, out of which some of the most innovative and challenging developments in modern cultural studies are arising. No prerequisite. Offered every other year.
This course explores the representation and construction of gender in and through film. Adopting both an historical and theoretical approach, we will focus on how masculinity and femininity, in their various forms and combinations, are signified, how the gender of both the character and the spectator is implicated in the cinematic gaze, and how gender characterizations inform and reflect the larger culture/society surrounding the film. A wide variety of cinematic traditions will be discussed, and, although Hollywood films will form the base of the course, other national and regional cinemas will be explored, through both the screening of full-length films and numerous excerpts of others. No prerequisite. Note: This course requires attendance at weekly film showings in addition to regular class meetings; students will register for two class periods, one of which will be used exclusively for screening films. Offered every other year.
Through focus on a specific topic, this course will explore how men's lives are shaped by and shape the gendered social order. Macro and micro perspectives will guide discussions focusing on how men behave in particular contexts and how they perceive themselves, other men, and women in diverse situations. Specific topics investigating the production of masculinities will take into account the interplay among the cultural, interpersonal, and individual layers of social life while considering how men's efforts are enabled or constrained by key socially relevant characteristics (primarily age, race/ethnicity, class, and sexual orientation) through investigations, for instance, of particular sites (e.g., playgrounds, work space, home, schools, athletic venues, prisons). The topic for 2012-13 will be fraternities.
This course examines the impact of globalization on feminist discourses that describe the cross-cultural experiences of women. Transnational feminist theories and methodologies destabilize Western feminisms, challenging notions of subjectivity and place and their connections to experiences of race, class, and gender. The course builds on four key concepts: development, democratization, cultural change, and colonialism. Because transnational feminisms are represented by the development of women's global movements, the course will consider examples of women's global networks and the ways in which they destabilized concepts like citizenship and rights. We will also examine how transnational feminisms have influenced women's productions in the fields of literature and art. Key questions include: How does the history of global feminisms affect local women's movements? What specific issues have galvanized women's movements across national and regional borders? How do feminism and critiques of colonialism and imperialism intersect? What role might feminist agendas play in addressing current global concerns? How do transnational feminisms build and sustain communities and connections to further their agendas? Prerequisite: WGS 111 or permission of the instructor. Offered every other year.
Instructor: Clara Roman-Odio
In this course, we will read both historical and contemporary feminist theory with the goal of understanding the multiplicity of feminist approaches to women's experiences, the representation of women, and women's relative positions in societies. Theoretical positions that will be represented include liberal feminism, cultural feminism, psychoanalytic feminism, socialist feminism, and poststructuralist feminism. In addition, we will explore the relationship of these theories to issues of race, class, sexual preference, and ethnicity through an examination of the theoretical writings of women of color and non-Western women. Prerequisite: WGS 111, any approved departmental course, or permission of instructor. Offered every year.
This class will examine feminist critiques of dominant methodologies and theories of knowledge creation in the sciences, social sciences, and humanities. It will focus on the following questions: How do we know something? Who gets to decide what counts as knowledge? Who is the knower? In answering these questions this class will explore how power is exercised in the production of knowledge, how the norms of objectivity and universalism perpetuate dominance and exclusion, why women and other minority groups are often seen as lacking epistemic authority, and what it means to have knowledge produced from a feminist standpoint. Participants in the class will learn a variety of methods and use these methods in a group research project. In addition, we will discuss various ethical issues that feminist researchers often encounter and what responsibilities feminist researchers have to the broader political community. Prerequisite: WGS 111, any approved departmental course, or permission of the instructor. Offered every year.
This seminar will be organized around a theme to be determined by students registered for the course in consultation with the instructor during the semester prior to the beginning of the course. Previous topics include "Gender and Pornography," "Feminist Humor," "Race and Gender," "Transgressing Gender," and "Gender and Politics." Prerequisite: WMNS/WGS 330 or 331 or permission of instructor. Offered evey spring.
Individual study enables students to examine an area not typically covered by courses regularly offered in the program. Typically, such students are juniors or seniors who have sufficient research and writing skills to work very independently. The course can be arranged with a faculty member in any department but must conform to the usual requirements for credit in the program: gender is a central focus, and the course draws on feminist theory and/or feminist methodologies. The amount of work should be similar to that in any other 400-level course. To enroll, a student should first contact a faculty member and, in consultation with that professor, develop a proposal. The proposal, which must be approved by the program director, should provide: a brief description of the course/project (including any previous classes that qualify the student), a preliminary bibliography or reading list, an assessment component (what will be graded and when), and major topical areas to be covered during the semester. The student and faculty member should plan to meet approximately one hour per week or the equivalent, at the discretion of the instructor. Proposals should be planned well in advance, preferably the semester before the proposed project.
The major who wishes to participate in the honors program must have an overall GPA of 3.33 and a GPA of 3.5 in the major. The candidate in honors will complete all requirements for the major, the Senior Exercise, and two semesters of independent study, and will design and complete a research project. This project should integrate both feminist theory and methodologies as well as the student's chosen disciplinary or interdisciplinary cluster. Each honors student will prepare an annotated bibliography on her or his chosen project midway through the fall semester. After approval, the senior honors project will be undertaken in consultation with a project advisor.
Students are encouraged to think boldly and innovatively about the kinds of projects they undertake and about how those projects interact with and benefit their communities. Senior honors projects might include gender-focused sociological or historical studies undertaken locally; exhibitions, productions, or installations of gender-exploratory art, music, or theater; or political, social, and/or environmental service-oriented or activist work. Students will be closely mentored throughout their projects and, in the spring, will be evaluated by an external evaluator and by faculty in the program and in relevant disciplines. The evaluators will assess the strength of the students' overall work, as well as the strength of their self-designed, project-appropriate public presentations of that work.
See the course description for WGS 497.
AMST 108: Introduction to American Studies
ANTH 350: Human Sexuality and Culture
ARHS 375: Topics in Renaissance and Baroque Art
BIOL 103: Biology in Science Fiction
BIOL 104: Biology of Female Sexuality
CLAS 130: Classical Mythology
ECON 378: Economics of Women and Work Seminar
ENGL 210: Proper Ladies and Women Writers
ENGL 214: Gender Benders
ENGL 223: Writing Medieval Women
ENGL 240: Early Eighteenth-Century Literature
ENGL 254: Literary Women: Nineteenth-Century British Literature
ENGL 265: Introduction to Postcolonial Literature
ENGL 270: American Fiction
ENGL 280: American Literary Modernism
ENGL 281: Fictions in Black
ENGL 288: Introduction to African-American Literature
ENGL 313: Land, Body, Place in Literature and Film
ENGL 316: Postcolonial Poetry
ENGL 320: Shakespeare
ENGL 339: The Restoration on Stage and Screen
ENGL 369: Canadian Literature and Culture
ENGL 372: The Gilded Age
ENGL 373: Literary Amazons: Nineteenth-Century U.S. Women Writers
ENGL 378: Race in the Nineteenth-Century Literary Imagination
ENGL 381: Another America: Narratives of the Hemisphere
ENGL 382: The Jazz Age
ENGL 386: Toni Morrison
ENGL 388: Studies in Twentieth-Century African-American Literature
ENGL 414: Literature and Sexuality: Surrealism
ENGL 419: Hard-Boiled Crime Fiction and Film Noir
ENGL 453: Jane Austen
ENGL 461: Virginia Woolf
ENGL 469: Atwood and Ondaatje
ENGL 488: Richard Wright and Toni Morrison
GERM 323: German Women Writers
GERM 365: Politics and Gender in German Cinema
HIST 132: Modern Europe
HIST 208: U.S. Women's History
HIST 232: Modern European Women's History
HIST 236: Modern Germany: Gender, Race, and Class
HIST 341: African Women in Film and Fiction
HIST 370: Women and Gender in the Modern Middle East
HIST 373: Women of the Atlantic World
HIST 452: Women, Gender, and State in East Asia
MUSC 303: Music and Gender
PSCI 380: Gender and Politics
PSYC 327: Cross-Cultural Psychology
PSYC 346: Psychology of Women
PSYC 425: Research Methods to Study Gender
RLST 103: First Year Seminar: Encountering Religion: Women and Religion
RLST 328: Women in Christianity
RLST 329: Christian Mysticism
RUSS 354: Masterpieces of Russian Nineteenth-Century Literature
SOCY 225: Notions of Family
SOCY 231: Issues of Gender and Power
SOCY 232: Sexual Harassment: Normative Expectations and Legal Questions
SOCY 241: Sociology of Gender
SOCY 250: Systems of Stratification
SOCY 421: Gender Stratification
SOCY 423: Women, Health, and Medicine
SOCY 425: Gender and the Welfare State
SOCY 463: Intersectional Theory
SPAN 371: Gender, Identity, and Power in Women's Literature